TAPE 1
GUSTAV MAHLER
Sinfonia n. 2 in do minore “Resurrezione”
per soli, coro e orchestra
ORCHESTRA E CORO TEATRO REGIO TORINO
GIANANDREA NOSEDA
I. Allegro maestoso.
Mit durchaus ernstem und feierlichem Ausdruck
[Con espressione del tutto seria e solenne] 19.59
TAPE 2
GUSTAV MAHLER
Sinfonia n. 2 in do minore “Resurrezione”
per soli, coro e orchestra
ORCHESTRA E CORO TEATRO REGIO TORINO
GIANANDREA NOSEDA
II. Andante moderato.
Sehr gemächlich. Nie eilen [Molto comodo. Senza accelerare] 7.58
III. In ruhig fliessender Bewegung.
[Con moto tranquillo e scorrevole] 10.12
TAPE 3
GUSTAV MAHLER Sinfonia n. 2 in do minore “Resurrezione” per soli, coro e orchestra (TAPE)
ORCHESTRA E CORO TEATRO REGIO TORINO
GIANANDREA NOSEDA
IV. “Urlicht”
(aus “Des Knaben Wunderhorn”). Sehr feierlich, aber schlicht
(Choralmässig) [“Luce primigenia” (dal “Corno magico del fanciullo”).
Molto solenne, ma semplice (come un corale)] 4.46
V. Im Tempo des Scherzo, Wild herausfahrend
[Prorompendo selvaggiamente] Langsam [Lento] Allegro energico
Langsam [Lento] 17.59
TAPE 4
GUSTAV MAHLER
Sinfonia n. 2 in do minore “Resurrezione”
per soli, coro e orchestra
ORCHESTRA E CORO TEATRO REGIO TORINO
GIANANDREA NOSEDA
“Aufersteh’n”. Langsam misterioso [“Risorgerai”.
Lento misterioso] 14.21
Conceived, recorded and produced by Giulio Cesare Ricci
Recording assistant: Paola Liberato
Recorded at Teatro Regio Torino
Recording date: October 24, 2015
Producer: Rachel Smith
Photo Gianandrea Noseda: Sussie Ahlburg
Photo Gianandrea Noseda/Orchestra e Coro Teatro Regio: Ramella&Giannese © Teatro Regio Torino
hoto Claudio Fenoglio: Ramella&Giannese © Teatro Regio Torino
With this album Giulio Cesare Ricci continues his collaboration with the great conductor Gianandrea Noseda and the Orchestra and Chorus of the Teatro Regio of Turin.
After the Symphonic Suite Sheherazade by Nikolaj Rimsky-Korsakov it is now the turn of the Second Symphony by Gustav Mahler where in addition to the name of Gianandrea Noseda and the Orchestra and Chorus of the Teatro Regio of Turin the names of Regula Muhlemann (soprano soloist), Anna Maria Chiuri (mezzo-soprano soloist) and Claudio Fenoglio (chorus master) are also added.
Giulio Cesare Ricci for this recording used the legendary original valve microphones Neumann U47, U48, M49
The Master was realized with the Ampex ATR 102 (Electronic Tube Ampex Model 351-1965) 2 tracks 1/2 inch 30ips modified by David Manley.
The mastering was made by Giulio Cesare Ricci using the analog and valve Signoricci system.
This is a live recording that maintains all the naturalness, dynamics and realism of the performance.
A recording made in the natural acoustics of the Teatro Regio in Turin, without sound manipulation, nor equalization, nor reverb, nor compression and expansion...but natural sound with true timbre