MUST HAVE JAZZ recordings (CD GOLD)

<ul>
<li>MEMORIES OF RIO MORE TOOLBOX 6,39 David Garfield</li>
<li><br />EASY TO LOVE  KATE MC GARRY 3,31   Cole Porter</li>
<li><br />NAIMA  SEKOU 4,47   John Coltrane</li>
<li><br />ESPRESSO  MOONGLOW 3,35  Karen Knowles /R. Mitchell   </li>
<li><br />GONE GONE GONE  JAMES 4,00  Ira Gershwin, George Gershwin, Dubose Heyward</li>
<li><br />BIG-HEARTED WOMAN  MORE VICKIE 2,53  Vickie Leigh, Bruce Bishop</li>
<li><br />PRODIGAL SON  MAIN LINERS 3,23  Rev. R. Wilkins</li>
<li><br />BOPLICITY  VIRGO 4,59  C. Henry</li>
<li><br />SPIRAL  JAMES II 9,30    John Coltrane</li>
<li><br />CHELSEA BRIDGE  TODD 4,46   Billy Strayhorn</li>
<li><br />KEY TO THE HIGHWAY  JOSH 3,33   Charles Seger, Willie Broonzy</li>
<li><br />COLUMBIANA  MUNYUNGO 5,26   Munyungo Jackson</li>
</ul>
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<blockquote>
<p>The heart and soul of any recorded sound must surely be the acoustical properties of the room or hall itself, and the microphones being used within that acoustic. David Manley designed the VITAL MUSIC studio in Chino, California, for “purist” recording techniques only, with all the music played “live” and captured through a Manley “Gold Reference” Stereo Condenser Microphone, straight onto 2 stereo tracks. The Studer C37 analogue tape deck with only Manley pure tube circuitry, at 15 ips, was used with no noise reduction and mastered for CD Gold through the dCS Converter A/D to create the digital master. Sound, pure and simple...music, powerful and satisfying.<br /><br /></p>
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