SHÉHÉRAZADE - 148 - Hi-Res Audio - Classic

Data sheet

Native Dsd Native Dsd
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Hd Tracks Hd Tracks
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High Res Audio High Res Audio
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  1. Largo e maestoso - Lento - Allegro non troppo - Tranquillo
    [Il mare e la nave di Sindbad]
  2. Lento - Andantino - Allegro Molto - Molto Moderato - Vivace scherzando - Moderato Assai - Allegro molto ed animato - Con moto
    [Il racconto del Principe Kalender]
  3. Andantino quasi allegretto
    [Il giovane Principe e la giovane Principessa]
  4. Allegro molto - Allegro molto e frenetico Vivo - Allegro non troppo e maestoso
    [Festa a Bagdad - Il mare - Naufragio - Conclusione]

An imaginative colourist and master orchestrator, Rimsky-Korsakov began work on the symphonic suite Shéhérazade during the summer of 1888, spent in the propitious quiet of a remote village in the remote district of Luga, at a time when he had just finished orchestrating Prince Igor, left unfinished by his friend and colleague Borodin, who had died the previous year. It was probably precisely the seductive exoticism of that excellent theatrical score that fertilised the creativity of the Russian composer.

With the symphonic suite SHEHERAZADE begins the collaboration between Giulio Cesare Ricci and the great conductor Gianandrea Noseda and the Philharmonic Orchestra of the Teatro Regio of Turin.
It is a live recording that preserves the naturalness, dynamics and realism of what is played.
A recording made on April 13th, 2015  in the natural acoustics of the Teatro Regio of Turin, recorded without any manipulation of the sound, without equalization, without reverb, without condensing or expanding the sound... exclusively with natural sound with real timbre.
Giulio Cesare Ricci made two recordings of the same musical performance: one recording is included in this SACD, in which he used three pairs of tube microphones, the Neumann U47, U48, M49 and the other in the SACD 193 recording with only two microphones. .. directly from the analog master".
For the mastering of the SuperAudioCD Giulio Cesare Ricci used the analog and tube Signoricci system.
The master for the SACD was made by transferring the analog master recorded with the Ampex ATR 102, 2 tracks, ½ ", 30ips on Pyramix with dCS A/D and D/A converters.

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