- New
Mozart - Concertos KV 207, 211, 218 (SACD)
MOZART Concertos KV 207, 211, 218
Salvatore Accardo – Violin and Conductor Prague Chamber Orchestra
Salvatore Accardo: violinista e direttore
Orchestra da Camera Italiana
OBLIVION 4'33"
Per solista e orchestra d'archi
Revisione violinistica di Salvatore Accardo
ESCUALO 3'41"
Versione per violino e archi di José Bragato
Revisione violinistica di Salvatore Accardo
MILONGA EN RE 5'21"
Per violino e archi
INTRODUCCION AL ANGEL 5'36"
Versione per violino e archi di Salvatore Accardo e Francesco Fiore
REVIRADO 3'26"
Versione per violino e archi di Salvatore Accardo e Francesco Fiore
MILONGA SIN PALABRAS 6'30"
Versione per violino e archi di Salvatore Accardo e Francesco Fiore
FINALE 4'34"
Per solista e archi
Revisione violinistica di Salvatore Accardo
TRES MINUTOS CON LA REALIDAD 3'23"
Per archi
Violino solista: Laura Gorna
RECORDANDO "SUITE PER ARCHI" 24'33"
Elaborazione di José Bragato
Violino solista: Laura Gorna
This album was recorded by Giulio Cesare Ricci at Pontificio Istituto di Musica Sacra in Roma on May 2001.
The absolute protagonist of OBLIVION is the Maestro Salvatore Accardo, violinist and conductor of the Italian Chamber Orchestra.
To underline the violin revision by Accardo of the most famous piece "Oblivion" which gives the title to the album.
The relationship between the musician Astor Piazzolla and Salvatore Accardo was one of friendship and great mutual respect, so much so that Piazzolla wrote a score, La Milonga en Re, written specifically for Accardo.
For this recording Giulio Cesare Ricci used the original tube microphones Neumann U47, U48, M49 and all its equipment: mike pre-amplifiers, digital, line, microphone and supply cables Signoricci.
Recorded in Stereo DSD on Pyramix using dCS A/D and D/A converters.
Also for this recording Giulio Cesare Ricci used a "field effect" recording technique, natural sound, without the use of equalizers, no sound expansion and compression systems ... all this to make the listener live in his own system domestic hifi the live effect as if he was present at the performances.
An album not to be missed!
Data sheet