EVERYTHING HAPPENS TO ME MATT DENNIS/TOM ADAIR 5.57 ALL OR NOTHING AT ALL ARTHUR ALTMAN/JACK LAWRENCE 7.00 THE GYPSY BILLY REID 5.30 MOON RIVER HENRY MANCINI/JOHNNY MERCER 6.52
Recorded at Hotel Il Castello - Palazzo di Scoto di Semifonte Certaldo Alto (Fi) November 2016 Recording assistant: Paola Liberato Valve microphones: Neumann U47, U48, M49 Mike pre-amplifiers, cables (line, microphone, supply): Signoricci Photos by: Michela Del Forno A&R and Il Castello property manager: Alfred Kramer
The performers of this album are Scott Hamilton - sax, Paolo Birro - piano, Aldo Zunino - bass, Alfred Kramer - drums Ballads for Audiophiles is part of the musical projects created in Certaldo Alto (FI) in the ancient cellar of the Palazzo di Scoto di Semifonte. To enhance the fascinating acoustics of this place Giulio Cesare Ricci used the entirely analog and valve Signoricci recording system. The legendary original Neumann U47, U48, M49 tube microphones were used for the recording The master was made by Giulio Cesare Ricci with the Ampex ATR 102 2 tracks 1/2" 30 ips The songs were performed from start to finish without sound manipulation, nor equalization, nor reverb, nor compression and expansion...but natural sound with real timbre, no editing. The "Signoricci", this is his nickname in the audiophile world, does not work with support microphones that enlarge the individual instruments as if under a lens, but with his beloved Neumann tube microphones that he himself positions in order to create a natural sound field. In this recording all this has been done so well that you have the feeling of participating in a live concert. The musicians position themselves on an imaginary stage maintaining a certain distance from the listener. The speakers seem to vanish. It takes a moment before you can get used to this performance relatively poor in effect compared to the common ones recordings. But you don't have to wait long before you discover its charm, a charm that creates a living sound universe and that gives importance to the whole instead of sharply separating the instruments from each other. Even the sound of the saxophone, despite being decisive, is always velvety and never tends to be too loud. The volume rises spontaneously, but it doesn't annoy or seem invasive. This album will make many listeners happy, both musically and timbrically. As announced, a calm pace was expected for the ballad. Fast rhythms or high-pitched sounds were not on the agenda. Hamilton's sounds are refined, soft and his accompanists follow him discreetly, except for a few small solos. Thus standards like "Moon River" and "All Or Nothing" spread a relaxed club atmosphere.