With the symphonic suite SHEHERAZADE begins the collaboration between Giulio Cesare Ricci and the great conductor Gianandrea Noseda and the Philharmonic Orchestra of the Teatro Regio of Turin.
It is a live recording that preserves the naturalness, dynamics and realism of what is played.
A recording made in the natural acoustics of the Teatro Regio of Turin, recorded without any manipulation of the sound, without equalization, without reverb, without condensing or expanding the sound... exclusively with natural sound with real timbre.
Giulio Cesare Ricci made two recordings of the same musical performance: one recording is included in SACD 148, in which he used three pairs of tube microphones Neumann U47, U48, M49 and the other in SACD 193 "recording with only two microphones. .. directly from the analog master".
The SACD 193 recording is the "two microphones only" version, as only one pair of legendary tube microphones was used for the recording: a pair of Neumann U47.
The result of this recording with only two microphones is fantastic, very natural.
With this recording Giulio Cesare Ricci wants to give the listener a unique experience.
It is as if the listener were sitting in a chair positioned very high, at the height of the third row of the stalls.
In this position the sound has a field effect and its depth, width and height are very evident.
Great dynamics, but also great precision in the solo parts.
For the mastering of the SuperAudioCD Giulio Cesare Ricci used the Signoricci system, completely analog and tube-based.
The master for the SACD was made by transferring the analog master recorded with the Ampex ATR 102, 2 tracks, ½ inch, 30ips to Pyramix with dCS A/D and D/A converters.
"Recording with two microphones"
"Directly from the analog master"
Data sheet
Native Dsd
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High Res Audio
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Edizione speciale in occasione della Mostra aperta al Museo Piaggio per i 30 anni fonè
"Grazie per essere stato parte del mio sogno"
G. Piunti, B. Jovanovich, A. Bienkowska, M. Gagliardo, E. Jaho, L. Salsi, A. Pazos, N. Courjal
Wexford Festival Opera Chorus
National Philarmonic Orchestra of Belarus
J. L. Tingaud: conductor
Marco Fornaciari Maestro Concertatore e Violino Solista
Giuseppe Volpato I violino
Antonio De Lorenzi II violino
Igor Merlini viola
Ivan Merlini violoncello
Leonardo Colonna contrabbasso
Ernesto Merlini clavicembalo
DSD / Surround
Salvatore Accardo: violin and conductor
Orchestra da Camera Italiana
Natural Sound recordings / HiFi Reference / Super Audio CD / DSD / Stereo
Dario Carnovale Piano
Alfred Kramer Drums
Lorenzo Conte Contrabbasso
Brooks, Delaney, Hill, Jackson, Clapp, Berlin, Piron, etc.
Vittorio Castelli clarinetto e canto
Andrea Sirna sax tenore e canto
Giacomo Marson tromba
Nino Frasio sassofono
Giorgio Alderighi banjo
TIZIANA SIMONA, vocal
KENNY WHEELER, tp & flh
JEAN-JACQUES AVENEL, bass
NENE LIMAFILHO, dr & perc
GIUSEPPINA RUNZA, cello
J. S. Bach - N. Paganini - J. Massenet - C. Bach
Uto Ughi: violinista e direttore
Auditorium Parco della Musica Sala Santa Cecilia
New York’s Ensemble for Early Music
Frederic Renz: direttore
Daniele - Mark Bleeke
Re Baldassarre, Abacuc - Wilbur Pauley
Re Dario - Patrick Mason
Regina, Angelo - Peter Becker
Astrologo - Johnson Flucker
Leguleio - Douglas Shambo
S. Pozzer, S. Cavalli, V. Di Donato, G. Comeaux
Accademia di Musica Antica
Ensemble Vocale e Strumentale di Rovereto - R. Vettori: direttore
Francesco Cavalli (1602-1676)
Musiche sacre concertate (Venezia 1656)
Intermezzi Goldoniani-Antiche Danze ed Arie-Concerto per archi-Crisantemi
Gérard Zucheto, Patrice Brient, Jacques Khoudir
