1) ANTIDOTO (ALLA TARANTOLA) 2’04” 2) ‘NCOMINCIAI A NON AVE’ PIU’ BENE IN VITA MIA 9’37” 3) SALTARELLO DELLA TOLFA 3’27” 4) PROCESSIONE 5’23” 5) SU GRAVELLU ARRUBIU Il Garofano Rosso 6’14” 6) LU POVERO ANTONUCCIO 3’18” 7) CANTI A METE DI BARBARANO 7’59” 8) SALTARELLO 1’43”
Carlo Siliotto: violin, giant guitar, percussion, voice; Francesco “Bubù” Giannattasio: accordion for two and eight basses, tenor sax, percussions, flute with reed, voice; Gianni Nebbiosi: soprano sax, sopranino sax, percussions, voice; Giorgio Vivaldi: drums, percussion, marranzano, voice; Luigi Cinque: tenor sax, clarinet, percussion, voice; Pasquale Minieri: bass, electric guitar, vocals; Piero Brega: vocals, guitar, electric bass, tabla Collaborators: Glauco Borrelli (bowed double bass) Sara Modigliani (voice), Andrea Piazza
Recorded 4/7/74 to 13/7/74, Studio Chantalain Sound engineer Giorgio Loviscek Mixage Ricky Gianco, Loviscek. Produced by Ricky Gianco
“There are albums that have brought about a profound change in Italian popular music. One of these is "Lassa stà la mè creature" by Canzoniere del Lazio, which, 40 years after its publication, is reissued in SuperAudioCD version by the fonè label ... ... The expressive canons, rhythms and voices are typical of folk music, but the spirit of jazz lies in the tracks .. Improvisation takes its place; next to the violin and accordion appear electric guitars and saxophones. "I finally heard the real Italian jazz blues," says clarinetist Tony Scott. "In reality, the first experiment to mix folk, rock and avant-garde repertoires will shape the future word music ..." (Alberto Dentice - L’Espresso)
The Canzoniere Del Lazio was one of the most important Italian popular music groups of the 1970s. The group is remembered mainly for the research of the folklore heritage of the Lazio region, then of the Italian heritage and then of that of the entire Mediterranean. The path of the group and that of its members intersects several times with some of the most committed people in the field of folk revival, including Pagani and Demetrio Stratos. The mastering for SACD was realized by Giulio Cesare Ricci using the completely analog and tube system Signoricci. The master for the SACD was made by transferring the analog master recorded with the AMPEX ATR 102 (Electronic Tube Ampex Model 351 -1965) 2 tracks 1 / 2inch 30ips modified by David Manley to Pyramix using dCS A/D and D/A converters The sound is natural!
No editing. All the tracks on this record are heard as they were performed. Tube Processed Digital Master / natural sound recording / HiFi Reference / Super Audio CD / DSD / Stereo
No editing. All the tracks on this record are heard as they were performed. Tube Processed Digital Master / natural sound recording / HiFi Reference / Super Audio CD / DSD / Stereo
Native Dsd
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![Easytude live [SACD]](https://foneshop.it/457-home_default/easytude-live-julian-mazzariello-and-enzo-pietropaoli-super-audio-cd.jpg)
