Ho visto Nina volare De André - Fossati 3’40"
Disamistade De André - Fossati 4’57"
Canzone dell’amore perduto De André 3’11"
Il gorilla Brassens 3’26"
Morire per delle idee De André - Brassens 6’46"
Total Time 22'00"
Primo intermezzo & Secondo Intermezzo De André - Reverberi 3’01"
La nova gelosia Anonimo 3’50"
Girotondo De André - Reverberi 3’08"
Preghiera in gennaio / Inverno De André - Reverberi 9’00"
Total Time 18'59"
Conceived, mastered and produced by Giulio Cesare Ricci
Artistic Productions: Petra Magoni e Gerruccio Spinetti
Executive Production: Antonella Bubba
Recorded and Mixed by Alessio Lotti at the Museo Piaggio Pontedera September 10th, 2021
Recording Supervisor Giulio Cesare Ricci
Mike pre-amplifiers, cables (line, microphone, supply): Signoricci
Photo De André by Reinhold Kohl - Nuvole Productions Srl
Photo Musica Nuda by Angelo Trani
The Master has been implemented with Ampex ATR 102 (Electronic Tube Ampex Model 351 - 1965) 2 tracks, 1/2 inch 30ips modified by David Manley. The Mastering for Vinyl was made by Giulio Cesare Ricci using Signoricci's analog and valve system.
With sincere gratitude to Dori Ghezzi
With this album continues the extraordinary artistic collaboration between Musica Nuda (Petra Magoni voice, Ferruccio Spinetti double bass) and fonè Records which has materialized in recent years with the publication of numerous Vinyls highly appreciated all over the world. Musica Nuda in this Lp features songs by the great Italian singer-songwriter De André, an interpretation not to be missed! I made this recording at the Piaggio Museum located in Pontedera, the place where Piaggio was born and where it still continues to produce today.
Inside the Museum, every year the public from all over the world can admire the Piaggio production made over the years, all the Vespa and Ape models, all the Aprilia, Gilera and Moto Guzzi motorcycles that have won national and international awards over time. For this recording I brought all my equipment both analog (Ampex ATR 102 Electronic Tube Ampex Model 351-1965 2 tracks, 1/2 inch, 30ips modified by David Manley) and digital (Pyramix Recorder, dCS A/D and D/A converters). This is because I have always made two Masters for each recording: an analogue master for Vinyls and a DSD digital master for SuperAudioCDs.
I made the mastering for Vinyl using Signoricci's analog and valve system. A "state of the art" system without sound manipulation, equalisation, reverb, compression and expansion... but natural sound and true timbre to best enhance the acoustics of the Auditorium of the Piaggio Museum. fonè has been offering for almost 40 years engravings made in the name of technological refinement and aimed at recovering the original musical atmospheres.
giulio cesare ricci