Rita Marcotulli - Koinè - TAPE
[TAPE] KOINÉ - Rita Marcotulli
Signoricci Master, Unique piece, Pure Analogue Recording, Original Analog Master Tape, 38cm/sec 1/4 inch, Ampex ATR 102 -> Nagra 4s
TAPE 1
Concerto in Mi Maggiore "La Primavera"
Allegro 3.47 Largo 2.21 Allegro 4.27
Concerto in sol minore "L'Estate"
Allegro non molto - Allegro 5.24 Adagio 2.17 Presto 2.48
Concerto in Fa Maggiore "L'Autunno"
Allegro 5.39 Adagio molto 2.26
TAPE 2
Concerto in Fa Maggiore "L'Autunno"
Allegro 3.39
Concerto in Fa minore "L'Inverno"
Allegro non molto 3.21 Largo 2.19 Allegro 3.20
Concerto in re min. per due violini,archi e continuo F I n° 100
Allegro non molto 4.25 Adagio 4.16 Allegro molto 3.07
solisti: Salvatore Accardo - Laura Gorna
Concerto in Si bem. Magg. per violino, violoncello, archi e continuo F IV n° 2
Allegro moderato 4.32 Andante 2.07
solisti: Salvatore Accardo - Cecilia Radic
Conceived, recorded and produced by Giulio Cesare Ricci
Recording assistant Paola Liberato
Recording date May 30-31/2009
valve microphones: Neumann U47, U48, M49
mike pre-amplifiers: Signoricci
line, microphone, supply cables: Signoricci
Photo Andrea Piccioni
Among the many violin pages that Giulio Cesare Ricci has recorded with Salvatore Accardo in all these years, the edition of Antonio Vivaldi's Le Quattro Stagioni could not be missed.
The great Maestro has taken up the original manuscript of Le Quattro Stagioni giving an interpretation of absolute reference.
As for the location choice, Giulio Cesare Ricci has made an exception, not a historical place but the Auditorium that the architect Renzo Piano has obtained from the old Polenghi Lombardo factory in Lodi.
Even if it is a contemporary Auditorium, the acoustics are very natural thanks to the wooden structures used for the recovery of this room.
The Master was made with the Ampex ATR 102 (Electronic Tube Ampex Model 351 - 1965) 2 tracks, 1/2inch, 76 cm/sec.
The mastering was done by Giulio Cesare Ricci using the entirely analog and valve Signoricci system.
The recording was made without sound manipulation, nor equalization, nor reverb, nor compression and expansion... but natural sound with true timbre.
Data sheet