C. Debussy SONATA N.3 in sol min. pour Violon et Piano Allegro vivo 5’15” Intermède - Fantasque et léger 4’39” Finale - Très animé 4’37”
C. Debussy CLAIR DE LUNE 4’49” Extrait de la “SUITE BERGAMASQUE” Transcription pour Violon et Piano par A. Roelens
C. Debussy MINSTRELS 2’38” Extrait du 1er Livre de PRÉLUDES Transcription pour Violon et Piano par l’Auteur
C. Debussy LA FILLE AU CHEVEUX DE LIN 2’37” Extrait des PRÉLUDES Transcription pour Violon et Piano par Arthur Hartmann
C. Debussy IL PLEURE DANS MON COEUR 3’51” Extrait des Ariettes oubliées Transcription par von Arthur Hartmann
"Here, these two composers, masters of impressionism, take on the violin and piano repertoire: Claude Debussy with his final Sonata no.3 and some transcriptions of famous pieces for piano; Maurice Ravel with his youthful, short Sonata no.1, combined with other tributes to friends who were virtuoso violinists"
This album has been recorded in the “ Sala dell’Ermellino” in Milan, recently built close to "Leonardo's Vineyard", near the "Ultima cena". The perfect acoustics, cured by Andrea Farnetani, and the project by Arch. Elena Borghi have made this house of music unique, where Leonardo Da Vinci kept his "bottega", near the Duomo, where the great Flemish composer Joquin Desprez accompanied the marvellous singers of the cathedral.
Conceived, recorded and produced by Giulio Cesare Ricci Recorded in “Sala dell’Ermellino” Casa della Musica, Milano Recording date 2-3 November 2019 Recording assistant: Paola Liberato Valve microphones: Neumann U47, U48 Mike pre-amplifiers, cables (line, microphone, supply): Signoricci The Master was made with the Ampex ATR 102 (Electronic Tube Ampex Model 351-1965) 2 tracks, 1/2 inch, 30ips modified by David Manley. Photos by Andrea Micheli The mastering for Tape has been relalized by Giulio Cesare Ricci using the Signoricci system, entirely analog and tube. Thanks to Micheli Associati for granting the "Sala dell'Ermellino" Casa della Musica.
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