OBLIVION4.33 Per solista e orchestra d’archi Revisione violinistica di Salvatore Accardo
ESCUALO3.41 Versione per violino e archi di Jose? Bragato Revisione violinistica di Salvatore Accardo
MILONGA EN RE5.21 Per violino e archi
INTRODUCCION AL ANGEL5.36 Versione per violino e archi di Salvatore Accardo e Francesco Fiore
REVIRADO3.26 Versione per violino e archi di Salvatore Accardo e Francesco Fiore
Total time 22.37
Side B
VARDARITO7.32 Versione per violino e archi di Salvatore Accardo e Francesco Fiore
MILONGA DEL ANGEL7.11 Versione per violino e archi di Salvatore Accardo e Francesco Fiore
JEANNE Y PAUL5.00 Versione per violino e archi di Salvatore Accardo e Francesco Fiore
Total time 19.37
This album was recorded by Giulio Cesare Ricci at the Pontifical Institute of Sacred Music in Rome in May 2001. The absolute protagonist is Maestro Salvatore Accardo, violinist and director of the Italian Chamber Orchestra. Worth highlighting is Accardo's violin revision of the most famous piece “Oblivion” which gives the album its title. The relationship between the musician Astor Piazzolla and Salvatore Accardo was one of friendship and great mutual respect, so much so that Piazzolla wrote a score,La Milonga en Re, specifically for Accardo. For the recording Giulio Cesare Ricci used the legendary Neumann U47, U48 and M49 valve microphones. The master was made with the AMPEX ATR 102 (Electronic Tube Ampex Model 351-1965) 2 tracks 1/2 inch 30ips modified by David Manley. The mastering for the vinyl was realized by Giulio Cesare Ricci using the analogue and valve Signoricci’s system. Also for this recording Giulio Cesare Ricci used a "field effect" recording technique, natural sound, without the use of equalizers, without sound expansion and compression systems... all this to make the listener experience his own system domestic hifi the live effect as if it were present at the performances.
La masterizzazione per il Vinile Vasco Rossi - C'è chi dice no è stata effettuata da Giulio Cesare Ricci utilizzando il sistema Signoricci interamente analogico e valvolare. Il Master è stato realizzato con Ampex ATR 102, 2 tracce, 1/2 pollice, 76 cm/sec.
Signoricci Vinyl / LIMITED EDITION / stereo / Pure Analogue Recording / Pure Analogue Cutting / One-Stage Pressing Process / 45 rpm / 180 g. / Special One Sided Series / Heavy Quality Sleeves / Printed in Germany
La masterizzazione per il Vinile Vasco Rossi - Va bene, va bene così è stata effettuata da Giulio Cesare Ricci utilizzando il sistema Signoricci interamente analogico e valvolare. Il Master è stato realizzato con Ampex ATR 102, 2 tracce, 1/2 pollice, 76 cm/sec.
Signoricci Vinyl / LIMITED EDITION / stereo / Pure Analogue Recording / Pure Analogue Cutting / One-Stage Pressing Process / 45 rpm / 280 g. / Special One Sided Series / Heavy Quality Sleeves / Printed in Germany
Salvatore Accardo: violinistra e direttore Orchestra da Camera Italiana
Signoricci Vinyl/ LIMITED EDITION / Stereo / Printed in Japan / Pure Analogue Recording / Pure Analogue Cutting / Cutting Machine / One-Stage Pressing Process / 45 rpm / 200 g. / Heavy Quality Sleeves