I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck [Con espressione del tutto seria e solenne] 19.59
DISC 1 - SIDE B
II. Andante moderato. Sehr gemächlich. Nie eilen [Molto comodo. Senza accelerare] 7.58 III. In ruhig fliessender Bewegung. [Con moto tranquillo e scorrevole] 10.12
DISC 2 - SIDE A
IV. “Urlicht” (aus “Des Knaben Wunderhorn”). Sehr feierlich, aber schlicht (Choralmässig) [“Luce primigenia” (dal “Corno magico del fanciullo”). Molto solenne, ma semplice (come un corale)] 4.46
V. Im Tempo des Scherzo, Wild herausfahrend [Prorompendo selvaggiamente] Langsam [Lento] Allegro energico Langsam [Lento] 17.59
DISC 2 - SIDE B
“Aufersteh’n”. Langsam misterioso [“Risorgerai”. Lento misterioso] 14.21
With this album Giulio Cesare Ricci continues his collaboration with the great conductor Gianandrea Noseda and the Orchestra and Chorus of the Teatro Regio of Turin. After the Symphonic Suite Sheherazade by Nikolaj Rimsky-Korsakov it is now the turn of the Second Symphony by Gustav Mahler where in addition to the name of Gianandrea Noseda and the Orchestra and Chorus of the Teatro Regio of Turin the names of Regula Muhlemann (soprano soloist), Anna Maria Chiuri (mezzo-soprano soloist) and Claudio Fenoglio (chorus master) are also added. Giulio Cesare Ricci for this recording used the legendary original valve microphones Neumann U47, U48, M49 The Master was realized with the Ampex ATR 102(Electronic Tube Ampex Model 351-1965) 2 tracks 1/2 inch 30ips modified by David Manley. The mastering for the Vinyl was made by Giulio Cesare Ricci using the analog and valve Signoricci system. This is a live recording that maintains all the naturalness, dynamics and realism of the performance. A recording made in the natural acoustics of the Teatro Regio in Turin, without sound manipulation, nor equalization, nor reverb, nor compression and expansion...but natural sound with true timbre
La masterizzazione per il Vinile Vasco Rossi - Vado al Massimo è stata effettuata da Giulio Cesare Ricci utilizzando il sistema Signoricci interamente analogico e valvolare. Il Master è stato realizzato con Ampex ATR 102, 2 tracce, 1/2 pollice, 76 cm/sec.
La masterizzazione per il Vinile Vasco Rossi - Va bene, va bene così è stata effettuata da Giulio Cesare Ricci utilizzando il sistema Signoricci interamente analogico e valvolare. Il Master è stato realizzato con Ampex ATR 102, 2 tracce, 1/2 pollice, 76 cm/sec.
Salvatore Accardo - Violin and Conductor Prague Chamber Orchestra
Stereo / Printed in Germany / Pure Analogue Recording / Pure Analogue Cutting / Cutting Machine / One-Stage Pressing Process / 33 rpm / 180 g. / Heavy Quality Sleeves
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