I STABAT MATER Grave soprano e contralto 4'26" II CUJUS ANIMAM Andante soprano 2'50" III QUAM TRISTIS Larghetto soprano e contralto 2'32" IV QUAE MOEREBAT Allegretto moderato contralto 2'43" V QUIS EST HOMO Largo-Allegro soprano e contralto 2'56" VI VIDIT SUUM Tempo giusto soprano 3'04" VII EIA MATER Allegro moderato contralto 2'30"
Total time 19'41"
SIDE B
VIII FAC UT ARDEAT Allegro tutti 2'28" IX SANCTA MATER Tempo giusto soprano e contralto 5'30" X FAC UT PORTEM Largo contralto 3'26" XI INFLAMMATUS Allegro soprano e contralto 2'17" QUANDO CORPUS Largo soprano e contralto 3'27" XII AMEN Presto, assai tutti 1'09" organo: Cristina Picciafuoco
Total time 17'37
Recording engineer: Giulio Cesare Ricci Recording assistant: Paola Liberato Recorded at Teatro Lauro Rossi - Macerata Recording date March 1998 Valve microphones: Neumann U47, M49 Advanced mike pre-amplifier: Nagra Mike pre-amplifiers, cables (line, microphone, supply): Signoricci Recorded using Nagra 38 cm/sec 1/4 inch Produced in collaboration with the Arena Sferisterio Association - Traditional Theatre and the Marche Region as part of the project "Mariella Devia for the Jubilee of the Year 2000 in the Marche"
IIt is the most beautiful sacred composition in the history of music. In this recording two great vocalists are protagonists: Mariella Devia soprano and Francesca Provvisionato mezzo-soprano masterfully directed by Daniele Callegari. Giulio Cesare Ricci for this recording did not choose a church but the intriguing acoustics of the Lauro Rossi theater in Macerata. It only used only two microphone couples, two Neumann M49 and two Neumann U47. The mastering for Vinyl has been relalized by Giulio Cesare Ricci using the Signoricci system, entirely analog and tube. The Master was created with Ampex ATR 102 (Electronic Tube Ampex Model 351 - 1965) 2 tracks 1/2 inch 30ips modified by David Manley. A recording where you can fully appreciate the timbre of the voices, the colors of the orchestra instruments, "depth and sound heights".
PERGOLESI1 - 130 - 1LP MADE IN GERMANY - CLASSICAL
Rota Bossi "Concerto per archi" - "Intermezzi Goldoniani"
I MUSICI - SERENATA ITALIANA
Signoricci Vinyl/ LIMITED EDITION / Stereo / Printed in Japan / Pure Analogue Recording / Pure Analogue Cutting / Cutting Machine / One-Stage Pressing Process / 33 rpm / 200 g. / Heavy Quality Sleeves
La masterizzazione per il Vinile Vasco Rossi - Vado al Massimo è stata effettuata da Giulio Cesare Ricci utilizzando il sistema Signoricci interamente analogico e valvolare. Il Master è stato realizzato con Ampex ATR 102, 2 tracce, 1/2 pollice, 76 cm/sec.
Salvatore Accardo: violinistra e direttore Orchestra da Camera Italiana
Signoricci Vinyl/ LIMITED EDITION / Stereo / Printed in Japan / Pure Analogue Recording / Pure Analogue Cutting / Cutting Machine / One-Stage Pressing Process / 45 rpm / 200 g. / Heavy Quality Sleeves
Stereo / Printed in Germany / Pure Analogue Recording / Pure Analogue Cutting / Cutting Machine / One-Stage Pressing Process / 45 rpm / 180 g. / Heavy Quality Sleeves
Rocco Filippini: violoncello e direttore Orchestra da Camera Roma Classica
Signoricci Vinyl / LIMITED EDITION / stereo / Pure Analogue Recording / Pure Analogue Cutting / One-Stage Pressing Process / 45 rpm / 180 g. / Special One Sided Series / Heavy Quality Sleeves / Printed in Germany
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Giovanni Battista Pergolesi - Stabat Mater - Vinyl
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