Salvatore Accardo - direttore e solista
Orchestra da Camera Italiana
Laura Manzini cembalo
Laura Gorna violino
Cecilia Radic violoncello
Concerto in Mi Maggiore “La Primavera”
1 Allegro 3’47”
2 Largo 2’21”
3 Allegro 4’27”
Concerto in sol minore “L’Estate”
4 Allegro non molto Allegro 5’24”
5 Adagio 2’17”
6 Presto 2’48”
Concerto in Fa Maggiore “L’Autunno”
7 Allegro 5’39”
8 Adagio molto 2’26”
9 Allegro 3’39”
Concerto in Fa minore “L’Inverno”
10 Allegro non molto 3’21”
11 Largo 2’19”
12 Allegro 3’20”
Basso Continuo:
Cecilia Radic violoncello - Laura Manzini cembalo
Concerto in re min. per due violini, archi e continuo F I n° 100
13 Allegro non molto 4’25”
14 Adagio 4’16”
15 Allegro molto 3’07”
solisti: Salvatore Accardo - Laura Gorna
Concerto in Si bem. Magg. per violino, violoncello, archi e continuo F IV n° 2
16 Allegro moderato 4’32”
17 Andante 2’07”
18 Allegro molto 3’25”
solisti: Salvatore Accardo - Cecilia Radic
Conceived, recorded and produced by Giulio Cesare Ricci
Recording assistant Paola Liberato
Recording date May 30-31/2009
valve microphones: Neumann U47, U48, M49
mike pre-amplifiers: Signoricci
line, digital, microphone, supply cables: Signoricci
Photo Andrea Piccioni
Among the many violin pages that Giulio Cesare Ricci has recorded with Salvatore Accardo in all these years, the edition of Antonio Vivaldi's Le Quattro Stagioni could not be missed.
The great Maestro has taken up the original manuscript of Le Quattro Stagioni giving an interpretation of absolute reference.
As for the location choice, Giulio Cesare Ricci has made an exception, not a historical place but the Auditorium that the architect Renzo Piano has obtained from the old Polenghi Lombardo factory in Lodi.
Even if it is a contemporary Auditorium, the acoustics are very natural thanks to the wooden structures used for the recovery of this room.
Recorded in Stereo DSD on Pyramix using dCS A/D and D/A converters
The recording was made without sound manipulation, nor equalization, nor reverb, nor compression and expansion... but natural sound with true timbre.
The Concertos of the Seasons are among the most original and extraordinary creations of Antonio Vivaldi. Today's audiences know this, but the contemporaries of the "Red Priest" immediately understood it. The originality is all the more surprising since the Concertos essentially follow the usual model: division into three movements Fast-Slow-Fast and alternations "tutti"-"solo" on the path opened by Giuseppe Torelli.
HI RES AUDIO (Itunes, Amazon, Native DSD..)
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Salvatore Accardo - direttore e solista
Orchestra da Camera Italiana
Laura Manzini cembalo
Laura Gorna violino
Cecilia Radic violoncello
S. Pozzer, S. Cavalli, V. Di Donato, G. Comeaux
Accademia di Musica Antica
Ensemble Vocale e Strumentale di Rovereto - R. Vettori: direttore
Francesco Cavalli (1602-1676)
Musiche sacre concertate (Venezia 1656)
Orchestra Sinfonica Nazionale della RAI
Gianandrea Noseda Conductor
Alexander Toradze Piano
Mariella Devia soprano
Orchestra filarmonica marchigiana - Daniele Callegari: direttore
Salvatore Accardo: violino, Giorgia Tomassi: piano
Filippo Arlia piano
Cesare Chiacchiaretta bandoneon
Giovanni Zonno violin
Enrico Corapi double-bass
Salvatore Russo electric guitar
Tube Processed Digital Master / natural sound recording / HiFi Reference
Orchestra da Camera del Festival Internazionale di Brescia e Bergamo
Agostino Orizio, direttore Nikita Magaloff, piano Alexander Lonquich, piano
Wolfang Amadeus Mozart, Franz Joseph Haydn
Pietro Rigacci, pianoforte
Robert Schumann, Faschingsschwank aus Wien, op. 26.
Fantasiestücke, op. 12
Salvatore Accardo: violino
NICOLÒ PAGANINI (1782 - 1840)
24 CAPRICCI OP.1 per violino solo
Natural Sound recordings / HiFi Reference / Super Audio CD / DSD / Stereoù
Salvatore Accardo Violin
Laura Gorna Violin*
Laura Manzini Piano
Lyrical comedy in three acts by P. Suardon
Music by Pietro Mascagni
Edizioni Casa Musicale Sonzogno by Piero Ostali, Milan
Characters and performers:
Suzel SANDRA PACETTI
Fritz Kobus PIETRO BALLO
Beppe PAOLA ROMANO'
David ARMANDO ARIOSTINI
Federico CARLO BOSI
Hanezò FILIPPO MILITANO
Caterina ALESSANDRA ROSSI
Conductor ALESSANDRO PINZAUTI
ORCHESTRA TUSCAN INSTRUMENTAL ACADEMY
COOPERATIVA ARTISTI ASSOCIATI CHOIR directed by STEFANO VISCONTI
VESPRI PER L'ASSUNZIONE DELLA BEATA VERGINE (Hi-Res Audio)
S. Pozzer, soprano
C. Cavina, alto
U. Muller Adam, tenore
J. Clement, tenore
S. Foresti, basso
J. S. Bach - E. Ysaÿe - N. Paganini
Uto Ughi: violino
M. Lee Yeong Hwa, C. Onorati, M. Sburlati, R. Abbondanza
Ensemble Salieri Wien - Giovanni Pelliccia: direttore
DSD / Stereo
GUSTAV MAHLER
Sinfonia n. 9 in re maggiore (1909-1911)
ORCHESTRA TEATRO REGIO TORINO
GIANANDREA NOSEDA
Concerto realizzato nell’ambito del Progetto Mahler
Hi-Resolution Audio
