TAPE 1

KOOL  MARY LOU WILLIAMS  6’11” 
THE MUSIC NEXT DOOR ROBERTO GATTO  4’46” 
IL VALZER DELLA FONDERIA ALESSANDRO PRESTI  4’50”
SALON MALAGA MATTEO BORTONE  5’45” 
FOUR STORIES ROBERTO GATTO  6’24” 
CHERRY SONG ALESSANDRO PRESTI  
  fragment

 


TAPE 2


CHERRY SONG ALESSANDRO PRESTI  5’41” 
WAVER ALESSANDRO LANZONI  5’25” 
MONACO-PALERMO ALESSANDRO PRESTI  5’36” 
VICTORIA REGIA MATTEO BORTONE  4’09” 
GARDENIA GARY PEACOCK  3’23” 



Conceived, recorded and produced by Giulio Cesare Ricci

Recorded at the Auditorium Museo Piaggio in Pontedera (PI)

Recording data  March 11st, 2023

Valve microphones: Neumann U47, U48, M49

Mike pre-amplifiers, cables (line, microphone, supply): Signoricci

Photos by Stefano “Steve” Girolami

This album is part of the recordings that Giulio Cesare made on the occasion of the concerts of the fonè Music Festival Piaggio edition 2023 organized by himself. The location chosen is the Piaggio Auditorium located inside the famous Pontedera Museum, the place where Piaggio was born and where it still continues to produce today.
The protagonists of FOUR STORIES are 4 great musicians with an extraordinary leader, Roberto Gatto the greatest Italian jazz drummer in the company of Alessandro Presti trumpet, Matteo Bortone double bass and Alessandro Lanzoni piano. 
Roberto Gatto has played throughout Europe and the rest of the world with his groups and with international artists. The groups with his name are characterized, in addition to an interesting timbre research, and an impeccable performance technique, by a great warmth typical of Mediterranean culture. This certainly makes Roberto Gatto one of the most interesting drummers and composers in Europe and in the World. 
Among the songs played, many are those composed by the artists themselves: The Music next door by R. Gatto, Il valzer della fonderia by A. Presti, Waver by A. Lanzoni and Victoria Regia by M. Bortone. 
The album is completed by two very special songs by Mary Lou Williams and Gary Peacock. 
For this recording Giulio Cesare Ricci brought all his equipment, both analog (Ampex ATR 102 Electronic Tube Ampex Model 351-1965, 2 tracks, ½”, 30ips modified by David Manley) and digital (Pyramix Recorder, dCS A/D and D/A converters). 
This is because for each recording Giulio Cesare Ricci creates two Masters: an analog master for vinyl, Tapes and a DSD digital master for SuperAudioCD 
The mastering was made using the entirely analog and valve Signoricci system. A "state of the art" system without sound manipulation, equalization, reverb, compression and expansion... but natural sound to best enhance the acoustics of the Auditorium of the Piaggio Museum. All this to create recordings characterized by technological refinement and aimed at recovering the original musical atmospheres. 
Also for this recording Ricci used a "field effect" recording technique... all this to make the listener relive in his home hi-fi system, the live effect as if he had been present at the performance.

FOURSTORIES - 245 - 2 TAPE - JAZZ

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