Rota Bossi "Concerto per archi" - "Intermezzi Goldoniani"

Rota Bossi "Concerto per archi" - "Intermezzi Goldoniani"
I MUSICI - SERENATA ITALIANA
Signoricci Vinyl/ LIMITED EDITION / Stereo / Printed in Japan / Pure Analogue Recording / Pure Analogue Cutting / Cutting Machine / One-Stage Pressing Process / 33 rpm / 200 g. / Heavy Quality Sleeves
Disco 1 Side A
Nino Rota 1911-1979 "Concerto per archi"
Preludio (Allegro ben moderato e cantabile) 3.33
Scherzo (Allegretto comodo) 3.56
Aria (Andante quasi adagio) 4.31
Finale (Allegrissimo) 2.57
Marco Enrico Bossi 1861-1925 "Intermezzi Goldoniani" op. 127
Preludio e minuetto (Allegro con fuoco - Con grazia) 5.59
Disco 1 Side B
Marco Enrico Bossi 1861-1925 "Intermezzi Goldoniani" op. 127
Gagliarda (Vivace) 4.01
Coprifuoco (Blandamente) 5.08
Minuetto e musetta (Con moto) 3.37
Serenatina (Allegretto tranquillo) 3.10
Burlesca (Con molto brio) 2.58
Conceived, recorded and produced by Giulio Cesare Ricci
Recorded at Teatro Comunale Francesco Paolo Tosti in Ortona (CH)
Recording date October 22th - 25th, 2008
Recording assistant Paola Liberato
Valve microphones Neumann U47, U 48, M49
mike pre-amplifiers: line, microphone, supply cables Signoricci
The Master for Vinyl was realized by giulio cesare ricci with the AMPEX ATR 102 2 tracks 1/2 inch 30ips
Many thanks for their support: Amministrazione comunale di Ortona and Istituto Nazionale tostiano
Can a twentieth-century serenade exist? Can two apparently antinomic terms be compared? (this is how they were read for a long time). How can the expression of a poetic and musical form chosen as the privileged vehicle of a love relationship (which we often imagine to be saccharine and cloying) be reconciled with the anxiety of renewal, of adhesion to the new, to technology, to the magnificent and progressive fortunes of the early twentieth century? This is the question to which I Musici have attempted to give an artistic answer with Serenata italiana, which leads us through a listening journey that covers a time span from the end of the nineteenth century to the 1960s. The mentor of the musical journey is a figure who in various ways overshadows the lives of the protagonists: Arturo Toscanini.
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